My practice seeks to reclaim the active and meaningful dimension of objects. I’m interested in challenging the normative languages of design — particularly in furniture — and in creating space for the unexpected, for what resists functionality or perfection. I work with clay as a central material but I’m not limited to it: each idea calls for its own material language. What matters most to me is letting intuition and process guide the form.

Through pieces that combine traditional craftsmanship with spontaneous gestures, intuition and process-driven forms I aim to create objects that invite a more conscious and emotional relationship with the material world. I’m ultimately interested in the connections — human, material, symbolic — that make each piece - and this world- possible.